Tady se můžete podívat na můj první amatérský film, co má ještě co dohánět, budu mít ještě jednu šanci. Ty věci pod jsou kecy k tomu, ale třeba kdo nepochopí z obrazu (moje chyba, já vim, pochopí z textu.) POZOR poslouchat se sluchátky, jinak nejsou slyšet promyšlené beaty do jednotlivých střihů:) K.
https://dl.dropboxusercontent.com/u/108497677/QipuLuFinal.avi
Project
2 Proposal
_3
I keep on
thinking that the straight way of observation, especially in society that isn´t
prepared to accept me as one of them at all, is not authentic. It determines
the behaviour of objectives and distorts the picture of them. When you tell
people they´re being shot they start to behave artificially.
I keep on thinking
about means of observation in the way they wouldn´t be affected and due to this
they could behave naturally.
In the first part
of my project I tried to be invisible for my objectives, to take pictures
hidden, so that they couldn´t notice me. It´s a kind of solution that I like
but it is not very fair to them.
The idea for my
film is kind of opposite and I´d like to talk about it later.
The place of my
interest is so called „fakemarket“, the one at Tiantong Lu subway station.
It embodies
character of the whole city for me. It is madly chaotic in its even grid.
The huge number
of very similar details that the man´s eye isn´t able to distinguish so he gets
lost in it. Potemkin´s village, pomp in dirt.
I feel a great
emptyness while walking through these crowded gloomy paths. Emptyness in full
and upside down. That´s not only feeling of the space. I can see void in the
vendor´s and shoppers´eyes.
I imagine the
void in their minds. I can´t catch what they feel and think. They seem to play
a role of somebody else or to wear a mask. They are all anonymous there. Anonymus
units of mass. Like their goods. Just eager for money, bored and without aims
or dreams. Empty shells of working-very well and harworking machines.
Supposingly they´re
drilled to be so…at school, at home, via TV and internet…
I feel really sorry for that when thinking about
their real, original culture that could be developped and improved these days
but it doesn´t happen.
I tried to draw
my path while walking through that maze. Looking into the paper I thought it
must be very simple to orientate there. But without – my compass – and that
drawn track, I´d be lost anyway. There are no windows there or at least I
didn´t notice them. And after a few turns I can´t remember my way. I only
slightly recognise some places. While keeping on walking I feel like going in
the circle. There´s no center, no heart. It´s not a labyrinth but a maze-
thus much more creepy.
I don´t want to
hide myself anymore. But I don´t want them neither wave into my lens nor turn
their heads away. Maybe I should get somehow below them, so that they wouldn´t
be scared of me.
I thought about
having a mask…the same mean like they are using every day. It could be close to
their way of thinking. Just buy some ridiculous things at fakemarket and wear
it while shooting. They shouldn´t be scarried but rather have fun of me. Maybe
I can see their teeth in the smiling mouths then, a piece of feelings.
Storyboard
_1 the overall view of people wraping the giant packages outsides aka working machines
_1a (+) titles
_2 the view from the highest floor, escalators
down, still view of motion
_3 floor x: _a the atmosphere of axes, still
long shots
_b
figurine portrays
_c people´s empty faces portrays
_4 floor x-y:
the same schedule, higher speed, shorter shots, smiling faces if it
happens? Can I change a thing?
_5 the path down via escalators, the speed
inhanced
_6 the lowest floor: chaotic HELLLLLLLL,
repeating_feeling of being in the circle
_7 title
Project
2 Essay
_4
QIPU LU Clothing
Market
I think I ?only?
partly achieved the goals I had thought about before going to film people in
Qipu Lu fake market.
It is not
surprising, actually. I could had thought about that kind of reactions that I
have seen there before. But accidentally it hadn’t come to my mind.
It was a great
fun and I enjoyed it very much. I was wearing a mask while filming. I was
wearing big corns on my head, strange clothes and lots of sports’ protection on
my elbows, knees and shins. Actually a lot of people wanted to buy or exchange it
for thousands of stupid fake toys. Aneta was helping me all the day. I was very
pleased but my only requirement was that she must have worn a mask as well. So
she was wearing a huge paper head of Steve Jobs on her head. It was a great
attraction, too.
So what did we
experience and what we didn’t?
I started
shooting the film in the highest floor of Qipu Lu. It is supposed to be the
most expensive part with the highest quality of goods. In this floor there were
lots of cops, they are in each floor, actually. I experienced the biggest
resistance here. The cop wanted to kick me out and tried to or at least pretended
to call someone else on her walkie-talkie. I tried to ignore her and shooted
what I wanted. But actually it wasn’t such an atmosphere I was looking for, the
tidy shopping axis and orderly stalls, so I left her in her rage and went one
or two floors lower. I found a children’s clothes floor there. It was very
pleasant there, all the children loved us and we made a small show for them. I
was happy that even their parents had fun and actually didn´t mind camera in my
hands. Supposingly they thought about us like a part of Qipu Lu, a kind of
organised event which was strange but good for us. The only thing I was missing
was a real view of Qipu Lu how I felt and saw it. For me it was - too positive.
So we must have kept on moving to lower, more hellish parts of fake market.
It happened a few
more times that we had to avoid annoying cops always asking us to leave. And we
also experienced a few vendors’ negative reactions on our camera. But mostly we
met with positive reactions and I think our masks helped a lot to pull the
borders between me and them down. Maybe not fully but at least partly.
For me my mask
was a rail to hold so I was able to come closer to them. For them it was a
thing they had to pay attention on. It divided their thoughts between my camera
and my corns. Often they liked my corns more and let me take some shots of
them. Sometimes they really had fun and laughed at us and wanted to try our
masks. At that time my goal was almost fully achieved.
Actually I experienced kind of reactions that
I didn’t expect and maybe I had to. I wanted to record fakemarket itself in its
own nature first…in contrast with fakemarket influenced by a kind of strange
funny parasite. The second part happened with a great success, much more than
the first part.
I had thought that
some people would have found stupid what I was doing and they wouldn’t have
paid attention on me at all. But mostly it didn’t happen and I had difficulties
find such kind of footage for my postproduction. We were even able to take a
cop’s heart and laugh with him and a group of people around.
Maybe it was the
first time I felt free among them. But on the other hand I feel I was always a
thing for them, an object rather than a person. We are still so far away from
each other. The question is if it is possible for me to cross the borders while
I am staying here only a half of year which I find a very short time. Actually
for me it would be a success to make one real chinese friend because I find all
friendships here somehow very cold and maybe even artificial.
I know that
behaviour of Chinese is affected by long history as well as our – my – europian
behaviour. And it is a matter of the same amount of time or effort to put these
two attitudes to life together. And the question is if we really want to put
them together or if we rather like this diversity, the stupid, funny or
desperate situations when we don’t understand each other? I prefer obstacles
than harmony. But concerning the whole world it is different, it shouldn’t be a
question of fun.

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